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The New York Times

A slow, mesmeric slide into heartbreak and horror, “Medeas,” the ravishing first feature from the Italian director Andrea Pallaoro, effortlessly conveys a family’s disintegration with few words and even fewer miscalculations.

Almost from the outset, we can sense the coming storm as Ennis (Brian F. O’Byrne), a stern dairy farmer plagued by debt and drought, relaxes at a bucolic lake with his wife, Christina (Catalina Sandino Moreno), and their five children. Gradually we learn that Christina is deaf, the children’s playful signing with her in stark contrast to their almost flinching obedience to their father…more

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